brings a corrupt version of the Avengers into the Marvel Universe. Jonathan Hickman's epic Avengers run builds to the end of all things! A runaway planet is on a collision course with Earth. Their desperate, world-shattering actions will leave the Avengers at each other's throats - and give rise to the Cabal! And as the realities of the Multiverse collide, time runs out for everyone!Ĭollects Avengers (2012) #24-44 and New Avengers (2013) #13-33. And the collision of the Avengers and the Illuminati is imminent! But as teammate faces teammate, the Time Gem takes the Avengers on a peril-filled journey into days to come - ultimately sending Captain America fifty thousand years into the future to witness a true Avengers world! Meanwhile, as the Incursion crisis worsens, the Illuminati struggle with the weight of the burden they have shouldered. Add in Emma, Destiny, and Mystique, and the mini actually has multiple women with layers and dimensions who don’t just act in their own interest but do so in spite of the men who’ve tried to control them (well, aside from the literal actual men who have predominantly written their stories).Collects Avengers (2012) #24-44 and New Avengers (2013) #13-33. Karima should also be noted as more than a parenthetical, especially when she does act as a really interesting mirror of Moira, both women being survivors of a dead reality, trying to save their species from certain doom.
We could also probably point to Moira’s own lack of imagination in finding a different solution as a kind of meta-criticism of comics in general or the X-Men specifically.
It’s explained that it was to save mutants from losing (though, through Omega Sentinel, the book itself establishes a future where mutants win, soooooo), but it’s probably also reasonable to say that Destiny and Mystique traumatized her into making various decisions other than “don’t resurrect Destiny” and “try to save mutants.” Moira built a nation to separate mutants from everyone else to eventually cure them of being mutants.
The most egregious choice in Inferno, though, the one that I just don’t understand, maybe the biggest flop Hickman has ever written, is the conclusion to Moira X’s story. Establishing new traditions in your finale that didn’t even have time to work, gg
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